b. 306-308
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composition: Op. 21, Concerto in F minor, Mvt I
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Starting the slurs in bars 306 and 308 already from the beginning of the bar is a typical inaccuracy of GE1 (→FE→EE). Slurs compliant with A were restored in GE2. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
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b. 306-308
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composition: Op. 21, Concerto in F minor, Mvt III
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The slur of GE1 reaches beyond the bar line, which most probably resulted from the common carelessness of the engraver; however, as a result of this, in the remaining editions the slur was led to the chord in bar 309. category imprint: Differences between sources issues: EE revisions , Inaccuracies in GE , GE revisions |
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b. 306-307
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we suggest adding a slur after analogous bars 290-291. The slur was added already in EE3 and GE3. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 306
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composition: Op. 31, Scherzo in B♭ minor
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In A the before the middle note of the L.H. chord is placed clearly too low, which in this case could have been due to the intention of avoiding collision with the bar line. Fontana correctly interpreted the meaning of that mark in FC (→GE); however, in FE the sharp was initially ascribed to the bottom note of the chord, g. That erroneous version got to EE1 and was then corrected through the addition of a proper both in the last phase of proofreading of FE and in EE2 (→EE3). category imprint: Differences between sources; Source & stylistic information issues: EE revisions , Errors in EE , Cautionary accidentals , FE revisions , Accidental below/above the note |
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b. 306
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composition: Op. 31, Scherzo in B♭ minor
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The missing arpeggio must be an oversight of the copyist and the engraver of FE: the mark in A is inconspicuous, since it is atypically placed between the accidentals, and not notes. category imprint: Differences between sources issues: Errors in FE , Errors of FC |