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b. 307-309
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composition: Op. 31, Scherzo in B♭ minor
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The notation in normal font notes is a result of the engraver of FE (→EE) having misunderstood A. category imprint: Differences between sources issues: Errors in FE |
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b. 307
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composition: Op. 31, Scherzo in B♭ minor
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In A one can see the original crossed-out version of that crotchet, i.e. the G category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Accompaniment changes |
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b. 307
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composition: Op. 31, Scherzo in B♭ minor
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The 2nd small quaver in FE (→EE1) is an erroneous b1, which we interpret as b category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Errors repeated in EE |
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b. 307
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composition: Op. 44, Polonaise in F♯ minor
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The chord with b1 in EE2 (→EE3) is an arbitrary revision, most probably resulting from a comparison with b. 48 and 281, in which that note is present in the first chord in all sources (probably by mistake). category imprint: Differences between sources issues: EE revisions |
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b. 308
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composition: Op. 21, Concerto in F minor, Mvt I
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In A there are no naturals before a2, a1 (in both hands) and the d2 semiquaver. In GE (→FE) a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Inaccuracies in A |
-d
before that note. The correction in ink performed in 
was added only in the L.H.;