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b. 291
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composition: Op. 39, Scherzo in C♯ minor
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In EE, the octave at the beginning of the bar is notated in the abbreviated form with 8. This is probably an arbitrary change that was introduced due to lack of space. category imprint: Source & stylistic information issues: EE revisions |
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b. 291
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composition: Op. 21, Concerto in F minor, Mvt I
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The missing staccato sign is certainly a mistake of GE1 (→FE→EE). In GE2, in spite of the clear wedge in A, a dot was added. category imprint: Differences between sources issues: Errors in GE , GE revisions , Wedges |
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b. 291
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composition: Op. 21, Concerto in F minor, Mvt I
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In the main text we add a cautionary category imprint: Editorial revisions |
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b. 291
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composition: Op. 21, Concerto in F minor, Mvt I
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It is unclear which type of accent Chopin meant here. The sign is shorter from all previous ones on this page of A (bars 289-290); however, its shape is characteristic of long accents – cf. the accent in bar 293. GE (→FE) has a short accent, which in EE was changed to a vertical sign. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , EE revisions |
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b. 291-294
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composition: Op. 11, Concerto in E minor, Mvt I
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In each of these bars, in FE, there is a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions |
before e
.
before the 1st semiquaver in the L.H.; however, in the further part of the passage, respective notes in other octaves are devoid of marks (except for the