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b. 290

composition: Op. 11, Concerto in E minor, Mvt I

d2 in FE (→GE1)

b2 in EE, GE2 (→GE3) & FED
..

The version with d2 as the 10th semiquaver present in FE (→GE1) is almost certainly erroneous. It is proved by the comparison with analogous bars 289 and 305-306 as well as by the correction in FED, indicated probably by Chopin. Corresponding corrections were introduced also in EE and GE2 (→GE3).

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FED , Terzverschreibung error , GE revisions

b. 290

composition: Op. 11, Concerto in E minor, Mvt I

Slur in FE (→EE)

No slur in GE

Our alternative suggestion
..

The slur, starting later than in the previous bar, seems to be an inaccuracy of notation only. However, the different slurring of analogous bars 304-306 prompts us to be prudent in such evaluations. In GE, the slur was completely omitted, perhaps as a result of doubts concerning its range.

category imprint: Differences between sources

issues: Errors in GE

b. 290-291

composition: Op. 11, Concerto in E minor, Mvt I

No fingering in FE (→GE)

Fontana's fingering in EE
..

Fontana's fingering in this bar is most probably compliant with the Chopinesque one – cf. the authentic fingering in bar 449.

category imprint: Differences between sources

issues: EE revisions

b. 290

composition: Op. 16, Rondo in E♭ major

..

As in bar 274, there is no  raising a​​​​​​​2 to a2 in FE (→EE1). The obvious error was amended in GE and EE2 (→EE3).

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , GE revisions , Omission of current key accidentals

b. 290

composition: Op. 44, Polonaise in F♯ minor

No markings in sources

[ ] suggested by the editors
..

Like in b. 57, on the 3rd beat of the bar, in the main text we suggest supplementing the Chopinesque pedalling after analogous b. 31.

category imprint: Editorial revisions