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b. 209
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composition: Op. 43, Tarantella
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In EE the first note in RH is notated as a dotted crotchet. In the remaining sources we find here only a quaver. category imprint: Differences between sources issues: EE revisions |
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b. 209
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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FE1 (→FE2) has a c as the bottom note on the 1st crotchet of the bar, which was corrected in FE3 (→FE4) and in the base text to EE. GC (→GE) also features the correct B category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Authentic corrections of FE , Authentic corrections of EE |
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b. 209
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composition: Op. 35, Sonata in B♭ minor, Mvt II
..
Due to the abbreviated notation of the recapitulation of Scherzo in the manuscripts, the state of the sources is same here as in bar 21. category imprint: Differences between sources |
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b. 209-214
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composition: Op. 35, Sonata in B♭ minor, Mvt I
..
In the main text, we add cautionary flats before e category imprint: Differences between sources; Editorial revisions |
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b. 209
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composition: Op. 21, Concerto in F minor, Mvt I
..
The value of the crotchet for the b category imprint: Interpretations within context; Editorial revisions |
.
's (in different octaves) at the end of these bars. These accidentals appear selectively in the sources – only in bar 214 in 
