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Issues : Omission of current key accidentals
b. 7
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composition: Op. 28 No. 9, Prelude in E major
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When interpreted literally, the chord on the 3rd beat of the bar in A (→FC) consists of the following notes: F category imprint: Interpretations within context; Differences between sources issues: GE revisions , Omission of current key accidentals , Errors of A , FE revisions |
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b. 8
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composition: Op. 28 No. 9, Prelude in E major
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In A (→FC,FE→EE1) and CGS there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Omission of current key accidentals , Errors of A , Errors repeated in FE , Errors repeated in EE |
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b. 9-13
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composition: Op. 25 No 9, Etude in G♭ major
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In GC (→GE1), FE and EE there are no naturals raising c category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , Errors in FE , Annotations in FED , Errors in EE , Errors in GE , GE revisions , Omission of current key accidentals , Annotations in FES , Annotations in FEJ |
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b. 9
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composition: Op. 28 No. 10, Prelude in C♯ minor
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In A (→FC,FE) there is no category imprint: Differences between sources issues: EE revisions , GE revisions , Omission of current key accidentals , Inaccuracies in A , Errors repeated in FE |
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b. 11
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composition: Op. 25 No 11, Etude in A minor
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In the 2nd half of the bar, the only accidental in the part of the R.H. in GC, FE and EE1 is a category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Errors in FE , Errors in EE , GE revisions , Omission of current key accidentals , Errors of GC |