Issues : Annotations in FED
b. 1
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composition: Op. 25 No 7, Etude in C♯ minor
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The fingering written in FED and FES complement each other and partially overlap, hence in the main text we give them together. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Annotations in FES |
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b. 1
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composition: Op. 25 No 8, Etude in D♭ major
category imprint: Differences between sources |
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b. 1-3
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composition: Op. 64 No 1, Waltz in D♭ major
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In the main text we include the fingering written in pencil in the first three bars of FED; it probably comes from Chopin. category imprint: Differences between sources |
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b. 1-4
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composition: Op. 64 No 1, Waltz in D♭ major
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The addition in FED – trill 4 bars – probably means a variant of beginning the Waltz in a way similar to the return of the main section from bar 69. We give each of the variants – four- and eight-bar – in the version with fingering, written also in FED, or without. As starts right away with accompaniment, which corresponds with bar 5 of the version of later autographs and editions. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Authentic post-publication changes and variants , Main-line changes , Differences in form |
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b. 1
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composition: Op. 21, Concerto in F minor, Mvt II
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In the main text we include the slur for the L.H. added in a proofreading of GE – cf. an analogous slur in A in bars 91-92 – even though it is not entirely certain whether it was added by Chopin. The undoubtedly erroneously shortened slur in the R.H. in FE made the reviser of EE perform a similar change in the part of the L.H. The mistake of FE was corrected with an entry in FED, performed in pencil. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FED , Authentic corrections of GE |