EEC
Main text
As - Autograph sketch
AI - Autograph I
AII - Autograph Caraman
AIII - Autograph Rothschild
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Second French Edition
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1op - First German edition of Op. 64
GE1Db - First German edition of Waltz No 1
GE2op - Second German edition of Op. 64
GE2Db - Second German edition of Waltz No 1
GE3 - Corrected impression of GE2op
GE3Db - Third German edition of Waltz No 1
GE4Db - Revised impression of GE3Db
EE - English edition
EEC - Earliest English edition
EEW1 - First English edition
EEW2 - Revised impression of WaW1
compare
  b. 1-4

No introduction in As

4 bars in AI, AII, AIII & A (→FEGE,EE)

4 bars with fingering written in FED

8 bars with fingering in FED

8 bars without teaching fingering

The addition in FED – trill 4 bars – probably means a variant of beginning the Waltz in a way similar to the return of the main section from bar 69. We give each of the variants – four- and eight-bar – in the version with fingering, written also in FED, or without.

As starts right away with accompaniment, which corresponds with bar 5 of the version of later autographs and editions.

Compare the passage in the sources »

category imprint: Differences between sources

issues: Annotations in teaching copies, Annotations in FED, Authentic post-publication changes and variants, Main-line changes, Differences in form

notation: Rhythm

Go to the music

Original in: Cambridge