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b. 254
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composition: Op. 23, Ballade in G minor
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In all editions, this bar opens a new line, and there is a slur reaching the first L.H. note (B category imprint: Differences between sources issues: Errors in FE , Errors repeated in GE , Errors repeated in EE |
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b. 255
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composition: Op. 43, Tarantella
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We add cautionary category imprint: Editorial revisions |
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b. 255
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composition: Op. 42, Waltz in A♭ major
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GE1 has a superfluous cautionary category imprint: Differences between sources issues: Cautionary accidentals |
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b. 255
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composition: Op. 21, Concerto in F minor, Mvt I
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All minor differences in the range of this sign appearing in the editions are certainly of random nature. In this case, the sign certainly means a "very long" accent, hence shifts both in GE1 and GE2 distorted its sense. category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , GE revisions |
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b. 255-256
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composition: Op. 21, Concerto in F minor, Mvt I
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In GE1 (→FE→EE) the slur is broken between the bars, in spite of the clearly combined slurs of A. category imprint: Differences between sources issues: Corrections in A , GE revisions |
), which seems to be a continuation of the slur from the preceding bar. However, there is no L.H. part slur in the previous bar, which points to a mistake, most probably when prolonging the R.H. slur. Considering the division of the text into lines we adopted in our transcriptions, a reasonable reproduction of this notation is impossible.
before d
2 in RH.
from 1st third in 
