Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


b. 186

composition: Op. 2, Variations, complete

No fingering in AsI & A (→GE1FE,EE)

..

In this place, the fingering added by GE2 (→GE3,FESB) is compliant with Chopin's preference – cf., e.g. the fingering of the repeated notes entered into the pupils' copies of the Waltz in E, Op. 18, b. 21-25. Therefore, it could be coming from him; however, for the reasons discussed in the characterisation of GE2, we do not give it in the main text.

category imprint: Differences between sources

issues: GE revisions , Authentic corrections of GE

b. 186-190

composition: Op. 2, Variations, complete

Staccato dots in A

Wedges in GE (→FE,EE,FESB)

..

As was the case with b. 114-115, Chopin provided the repeated notes in b. 186 and 190 with staccato dots, and not with wedges, as it was reproduced by GE (→FE,EE,FESB).

category imprint: Differences between sources

issues: GE revisions , Wedges

b. 186-187

composition: Op. 49, Fantaisie in F minor

slentando - - - in A

slentando - - in GE

No indication in FE (→EE1)

slentando in EE2

..

The slentando - - indication was almost certainly added to A after [FC] had been finished, which is indicated by its absence in FE (→EE1). In GE the dashes marking the range thereof were led only to the middle of bar 187, while in EE2, in which the indication was added on the basis of GE1, there are no dashes at all.

category imprint: Differences between sources; Corrections & alterations

issues: EE revisions , Inaccuracies in GE

b. 186

composition: Op. 49, Fantaisie in F minor

mid-bar in A (→GE)

 under B in FE (→EE)

..

As in bar 184, both positions of the  mark present in the sources may be authentic, hence we suggest considering the FE pedal, starting earlier, to be a potentially Chopinesque variant.

category imprint: Differences between sources

b. 186

composition: Op. 49, Fantaisie in F minor

B tied in A, FE (→EE) & GE2

B repeated in GE1

..

The missing first tie to B must be a mistake, corrected in GE2.

category imprint: Differences between sources

issues: Errors in GE , GE revisions