b. 254
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composition: Op. 39, Scherzo in C♯ minor category imprint: Differences between sources issues: Errors in FE , Terzverschreibung error |
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b. 254-256
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The slurs, in bars 66 and 68 added in GC most probably by Chopin, due to the abbreviated notation of the recapitulation, are valid also here, in bars 254 and 256. Same as there, there were reproduced in GE, from which they were adopted in EE2. category imprint: Differences between sources; Corrections & alterations issues: EE revisions |
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b. 254-255
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composition: Op. 19, Bolero
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GE has cautionary next to g1 in bars 254 and 255. These superfluous signs were also in FE, yet they were removed, most probably in the last proofreading. In EE3, the reviser added both signs, perhaps by comparison with GE. category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Authentic corrections of FE , FE revisions |
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b. 254-256
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composition: Op. 21, Concerto in F minor, Mvt III
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In A (→GE1→FE) there are no flats lowering g2 to g2 in bars 254 and 256. This patent inaccuracy was partially corrected in EE1 (→EE2), by adding a in bar 256. The correct text is only in GE2 and EE3. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Inaccuracies in A |
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b. 254-255
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composition: Op. 11, Concerto in E minor, Mvt I
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The missing slur in GE is most probably an oversight, although the addition of the mark in the last proofreading of FE (→EE) cannot be entirely ruled out. category imprint: Differences between sources issues: Errors in GE |