|
b. 252
|
composition: Op. 23, Ballade in G minor
..
In Breitkopf & Härtel publications, an authentic wedge would often be arbitrarily replaced by a staccato dot. The absence of the mark in GE1a is most probably an oversight by the engraver. category imprint: Differences between sources issues: Errors in GE , GE revisions , Wedges |
|||||||||||||
|
b. 252-253
|
composition: Op. 23, Ballade in G minor
..
In the main text we include the portato dots entered into A. The marks are absent in FE (→GE,EE), which we consider an oversight by the engraver. category imprint: Differences between sources issues: Errors in FE |
|||||||||||||
|
b. 252-253
|
composition: Op. 23, Ballade in G minor
..
The deletions visible in A reveal that Chopin considered the dynamic markings over the R.H. part not suggestive enough and moved them lower, between the parts of both hands. None of the sources reproduced this notation accurately – in FE (→GE) the marks were placed too low, before the L.H. part, while GE overlooked category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: EE revisions , Inaccuracies in FE , Errors in GE , Deletions in A |
|||||||||||||
|
b. 253
|
composition: Op. 43, Tarantella
..
In EE there is category imprint: Differences between sources issues: EE inaccuracies |
|||||||||||||
|
b. 253
|
composition: Op. 42, Waltz in A♭ major
..
In FE0 (→FE,FEG) there is no category imprint: Differences between sources issues: Errors in FE , Accidentals in different octaves |
& 
in 
instead of 
before the last quaver in RH.
. It was the reviser of