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b. 231-232

composition: Op. 21, Concerto in F minor, Mvt I

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In A there are no naturals raising e2 to e2 in the middle of bar 231 and e1 to e1 two semiquavers later as well as e to e at the end of bar 232. All signs were added already in GE1 (→FE→EE, →GE2). 

category imprint: Interpretations within context; Differences between sources

issues: Accidentals in different octaves , Inaccuracies in A

b. 231

composition: Op. 19, Bolero

No indication in FE (→EE)
 

in GE

Our variant suggestion
 
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category imprint: Differences between sources; Editorial revisions

issues: EE revisions

b. 231

composition: Op. 19, Bolero

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In GE, there is no cautionary  before the b2 semiquaver. The space between the notes confirms that in FE (→EE) it was added in the last phase of proofreading.

category imprint: Differences between sources

issues: FE revisions

b. 231

composition: Op. 21, Concerto in F minor, Mvt III

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In A there are no flats lowering g1 to g1 and g2 to g2. This patent inaccuracy was partially corrected already in GE1 (→FE), by adding the first of the overlooked flats. The correct text is in EE and GE2.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , GE revisions

b. 231-232

composition: Op. 21, Concerto in F minor, Mvt III

Slur to f1 in A, FE (→EE) & GE2

Slur to c2 in GE1
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Shortening of the slur in GE1 is certainly an inaccuracy stemming from the transition into a new line. The inaccuracy was corrected both in FE (→EE) and in GE2. In the case of FE, Chopin's proofreading cannot be ruled out.

category imprint: Differences between sources

issues: Inaccuracies in GE , GE revisions , Authentic corrections of FE