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b. 166-171
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composition: (Op. 4), Sonata in C minor, Mvt I
..
In the main text we do not include the inauthentic R.H. part fingering added by EE in bar 166, 168 and 170-171. category imprint: Differences between sources issues: EE revisions |
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b. 166
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composition: (Op. 4), Sonata in C minor, Mvt I
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Chopin wrote a cautionary category imprint: Differences between sources; Editorial revisions issues: GE revisions , Cautionary accidentals |
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b. 166-167
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In A, at the end of bar 166, the last one in the line, the slur in the R.H. top voice is missing. However, at the beginning of bar 167 we can see the ending of a slur from the preceding bar. We assume that we are dealing with a slur whose range is analogous to the one in bars 170-171. In GE (→FE,EE,IE) this slur was not included. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A , Errors in GE , Uncertain slur continuation |
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b. 166-167
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
In the main text, we do not include the inauthentic fingering added by EE. category imprint: Differences between sources issues: EE revisions |
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b. 166-168
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In EE1 the naturals before e2 in bars 166 and 168 (after the first crotchet) were omitted. Obvious errors were corrected in EE2. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in EE |
to the 3rd quaver, e
1. In the main text we also add a 
to the 4th quaver, c1. By contrast, we do not include the 
