



b. 165-166
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composition: (Op. 4), Sonata in C minor, Mvt IV
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The top two-bar A slur reaches the 2nd crotchet in bar 166, which is almost certainly inaccurate – cf. the slurs between bars 169-170. The shorter GE slur (→FE,EE,IE) is an example of adjusting a mark to quaver beams. category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 165
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In A there are no naturals to the 4th, 6th and 8th L.H. quavers – B, e1, A. The accidentals were added in GE (→FE,EE,IE). category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 165
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composition: Op. 12, Variations in B♭ major category imprint: Interpretations within context issues: Inaccuracies in FE , Errors repeated in GE , Errors repeated in EE |
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b. 166
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composition: Op. 39, Scherzo in C♯ minor
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At the end of the bar GC (→GE) has the fifth E flat-B flat. The consistent version of EE and FE, both having the octave E flat-e flat here, indicates the copyist's error. The fact that Gutmann's attention was distracted is confirmed by his two other obvious mistakes in bars 166-167: inaccurate slur and omission of the octave sign. category imprint: Differences between sources issues: Errors of GC |
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b. 166-167
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composition: Op. 39, Scherzo in C♯ minor
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In GC (→GE) the slur ends just above the last chord of bar 166, which definitely fails to match Chopin's intentions. category imprint: Differences between sources issues: Inaccuracies in GC |