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b. 164
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composition: Op. 49, Fantaisie in F minor
..
Like the previous ones, the L.H. slurs were almost certainly added to A after [FC] had been finished, which explains their absence in FE (→EE1). In EE2 they were added on the basis of GE1. category imprint: Differences between sources; Corrections & alterations |
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b. 164-169
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composition: Op. 49, Fantaisie in F minor
..
As in bars 77-82, moving the semiquavers in bars 164-166 and 168-169 beyond the 3rd quaver of a respective L.H. triplet was an arbitrary change by the revisers of GE and EE. category imprint: Differences between sources issues: EE revisions , GE revisions , Dotted rhythms and triplets |
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b. 164
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composition: Op. 49, Fantaisie in F minor
..
In A there is no category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , Omission of current key accidentals , Inaccuracies in A |
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b. 164-165
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composition: (Op. 4), Sonata in C minor, Mvt I
..
In A (→GE→FE,EE) the category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , Cautionary accidentals , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE , |
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b. 164-165
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composition: (Op. 4), Sonata in C minor, Mvt I
..
The missing category imprint: Differences between sources issues: Errors in FE |
to the bottom note of the 1st third (g
2). Chopin's patent inaccuracy – G
to c
3, unnecessarily repeated. The accidental was removed in 
in 