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b. 215

composition: Op. 19, Bolero

 

 in EE3

[] suggested by the editors
..

category imprint: Differences between sources; Editorial revisions

issues: EE revisions

b. 215-217

composition: Op. 11, Concerto in E minor, Mvt I

..

In bar 215, there is no  raising d1 to d1 in FE. There is a similar situation in bar 217, where, in addition, there is no  raising d to d. These patent inaccuracies were corrected in the remaining editions. 

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , GE revisions

b. 215

composition: Op. 11, Concerto in E minor, Mvt I

..

The cautionary  before a1 is present in FE (→EE) and GE3. The absence of the mark in GE1 (→GE2) may indicate that it was added in the last proofreading of FE.
In EE, a  was added before f1, which seems to be poorly justified in this context.

category imprint: Differences between sources

issues: EE revisions , GE revisions , Cautionary accidentals , Authentic corrections of FE

b. 215

composition: Op. 11, Concerto in E minor, Mvt I

Fingering written into FEFo

No fingering in FE (→GE)

Fontana's fingering in EE
..

In the main text we include the fingering digit written probably by Chopin into FEFo. Fontana's fingering is undoubtedly compliant with this annotation. It does not influence the evaluation of its authenticity – according to us, the likelihood that Fontana had any authentic source concerning this issue at his disposal is marginal.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FEFo

b. 215

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering
..

This way of marking the strike of adjacent white keys with the 1st finger is also to be found in other pieces by Chopin, e.g. in .

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH