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b. 8-22
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composition: Op. 45, Prelude in C♯ minor
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In the main text we unify the notation of the 2nd part of bars 8, 12 and 22 in line with the notation of FE1 in bar 8 and GE in bar 22 that is definitely correct and precise. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in GE , Inaccuracies in FE |
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b. 8
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composition: WN 17, Polonaise in B♭ major
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The indication given in PE probably comes from [A]. category imprint: Differences between sources |
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b. 8
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composition: WN 17, Polonaise in B♭ major
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The eight-bar introduction is separated with a double bar line in the sources based on the earlier autograph, [AI]. category imprint: Differences between sources |
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b. 8
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composition: WN 17, Polonaise in B♭ major
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The additional f note appears in the versions of JC and EF based on an earlier autograph. Its omission in a later version of PE mitigates the impression of parallel shift of chords in combination with the previous bar. category imprint: Differences between sources |
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b. 8-10
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composition: WN 17, Polonaise in B♭ major
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Dots under a slur were willingly used by Chopin to indicate the portato articulation (cf. e.g. the Nocturne in D category imprint: Differences between sources |
major, Op. 27 No. 2,