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b. 202
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composition: Op. 44, Polonaise in F♯ minor
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The corrections visible in AImaz reveal that not only did Chopin change the pitch of the top note of the 1st chord, but also the rhythm of the 1st beat of the bar. The starting point were 2 g category imprint: Corrections & alterations; Source & stylistic information issues: Dotted or even rhythm |
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b. 202-204
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composition: Op. 23, Ballade in G minor
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In A we can see the deleted initial version of the first two chords in the bottom L.H. voice, i.e. g-b category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Accompaniment changes |
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b. 203
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composition: Op. 43, Tarantella
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In GE1, most probably due to omission, there is no d category imprint: Differences between sources issues: Errors in GE |
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b. 203
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composition: Op. 43, Tarantella category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 203
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composition: Op. 43, Tarantella
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In A there is no category imprint: Interpretations within context; Differences between sources |
1 quavers, not beamed: 
. Chopin then added semiquaver rests and shortened the second quaver: 
. Eventually, the change of the pitch of the top note of the chord brought further changes to the notation, including the abandonment of the rest in the R.H. part: 
.
-c
in the chord on the first beat of the bar.
before g