|
b. 154
|
composition: Op. 21, Concerto in F minor, Mvt I
..
In ½A Chopin would try to avoid writing on the cello stave, as a result of which he wrote both category imprint: Graphic ambiguousness; Differences between sources issues: EE revisions , Inaccuracies in GE , GE revisions , Inaccuracies in A |
|||||||||||
|
b. 154-155
|
composition: Op. 21, Concerto in F minor, Mvt I
..
In A there is not a single category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Omission of current key accidentals |
|||||||||||
|
b. 154-155
|
composition: Op. 19, Bolero
category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FES , Annotations in FEO |
|||||||||||
|
b. 154
|
composition: Op. 11, Concerto in E minor, Mvt I
..
The dot extending the e crotchet is not a part of the solo part and is to be applied only when performing the Concerto without accompaniment. category imprint: Source & stylistic information |
|||||||||||
|
b. 154
|
composition: Op. 16, Rondo in E♭ major
..
In the main text, we include the Chopinesque fingering written in pencil to FEJ. category imprint: Differences between sources |
signs before respective bass notes. It also contributed to an earlier placement of the 
sign, with respect to analogous bar 152, which in 
raising d
to d. Four out of six necessary signs – only both naturals before d2 were overlooked – were added already in 
