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b. 142

composition: Op. 21, Concerto in F minor, Mvt I

..

In the main text we add a cautionary  before c2.

category imprint: Editorial revisions

b. 142-144

composition: Op. 11, Concerto in E minor, Mvt I

No slur in FE (→EE1,GE1GE2)

Slur in bars 143-144 in EE2 (→EE3)

Slur in bars 142-144 in GE3

Slur in bars 142-144 suggested by the editors

..

The missing slur is most probably an oversight in this case, attributed to Chopin or the engraver of FE (→EE1,GE1GE2), cf. an analogous phrase 4 bars later. The slur in bars 143-144 was completed in EE2 (→EE3), whereas in GE3 – over the entire semiquaver sequence. In the main text, we suggest the latter, provided that the authentic slur could have been led further, perhaps up to bar 146.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions

b. 142-144

composition: Op. 11, Concerto in E minor, Mvt I

No fingering in FE (→GE)

Fingering in EE

Fingering written into FEH

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Fontana's fingering given in EE almost certainly does not come from Chopin, since it is difficult to assume that Fontana could have had such precise, variant indications of the composer at his disposal. The authenticity of the fingering written by a foreign hand in FEH is also questionable. The basic scheme of both fingerings, considering the first variant of the fingering of EE, are in common with each other; the difference applies only to the beginning, which deviates from the scheme in Fontana's version.  

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Differences in fingering , Annotations in FEH

b. 142-145

composition: Op. 11, Concerto in E minor, Mvt I

No fingering in FE (→GE)

Fontana's fingering in EE

Fingering written into FEH

..

The essential difference between the fingering of FEH and EE consists in the performance manner of the descending third in each group of semiquavers – in FEH, the fingers 2-3 were used, in EE – 2-4. It is difficult to say if and which of them corresponds to the fingering conceived by Chopin, since the authenticity of the fingering in these sources has not been confirmed.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Differences in fingering , Annotations in FEH

b. 142

composition: Op. 16, Rondo in E♭ major

Long accent in FE (→EE)

Short accent in GE

..

In GE, the accent was arbitrarily changed to a short one.

category imprint: Differences between sources

issues: EE revisions