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b. 171
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composition: Op. 26 No 2, Polonaise in E♭ minor
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FES includes a cautionary category imprint: Differences between sources issues: Annotations in teaching copies , Cautionary accidentals , Annotations in FES , Last key signature sign |
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b. 171
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composition: Op. 35, Sonata in B♭ minor, Mvt II category imprint: Differences between sources |
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b. 171
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composition: Op. 21, Concerto in F minor, Mvt I
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The missing accidental before the antepenultimate semiquaver contributes to a certain obscurity concerning Chopin's intention. Although the official rule of validity of accidentals was the same as today, he would often use them as valid not only at their absolute pitch, but also in other octaves. However, in this case E category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves |
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b. 171
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composition: Op. 21, Concerto in F minor, Mvt I
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In the main text we add a cautionary category imprint: Editorial revisions |
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b. 171
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composition: Op. 21, Concerto in F minor, Mvt I
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The longer slur in FE (→EE) is a result of a proofreading – one can see traces of deletion of the slur repeated from GE1. This kind of change to FE could have been introduced only by Chopin. category imprint: Differences between sources issues: Authentic corrections of FE |
next to c
2 in the L.H. – most probably written with Chopin's hand.
here, changed in 
