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b. 170

composition: Op. 38, Ballade in F major

..

In the main text we omit the redundantly repeated  next to g1 in the 2nd half of bar.

category imprint: Editorial revisions

issues: Cautionary accidentals

b. 170

composition: Op. 38, Ballade in F major

..

In the main text we add a cautionary  next to d2 in the R.H.

category imprint: Editorial revisions

b. 170

composition: Op. 35, Sonata in B♭ minor, Mvt II

..

In GC the part of the L.H. is in this bar marked in an abbreviated manner as repetition of the figure in the previous bar.

category imprint: Source & stylistic information

issues: Abbreviated notation of A

b. 170-171

composition: Op. 26 No 2, Polonaise in E♭ minor

 in bars 170-171 in A

 in bar 171 in FE (→GE,EE)
..

The shift of  hairpins so that they fit in bar 171 is certainly a result of an inaccurate reproduction of A, in which the sign starts clearly at the end of bar 170. It does not seem that the difference could be ascribed a genuine influence on the performance.

category imprint: Differences between sources

issues: Inaccuracies in GE , Inaccuracies in FE

b. 170

composition: Op. 64 No 2, Waltz in C♯ minor

g-c1-e1 in A (→FE→EE,GE1no2,GE1op→GE2op→GE3op)

g-e1 in GE2no2
..

Same as in bar 42, the triad version of the majority of the sources, reproducing – perhaps inaccurately – the difficult to decipher notation of A, is, according to us, most probably erroneous.

category imprint: Interpretations within context; Differences between sources

issues: Errors in FE , GE revisions