|
b. 169
|
composition: Op. 44, Polonaise in F♯ minor
..
In the main text we add cautionary naturals next to a1 and a2. category imprint: Editorial revisions |
|||||||
|
b. 169-170
|
composition: Op. 23, Ballade in G minor
..
In A (→FE,EE), b. 169 ends the line, which resulted in an inaccuracy in the reproduction of the slur – at the end of b. 169 the aforementioned editions suggest that it should be continued, yet in b. 170 a new slur starts from the 1st crotchet (in all of them). In EE and GE1a these bars are in one line, yet each of them interpreted this vague notation differently – EE separated the slurs, while GE1a combined them. We reproduce the inaccurate version of FE and GE in the graphic transcription (version 'transcript'); by contrast, we adopt a continuous slur as the text of these editions (version 'edited text'), in accordance with A. category imprint: Graphic ambiguousness; Differences between sources issues: EE revisions , Inaccuracies in FE , Uncertain slur continuation , Errors repeated in GE |
|||||||
|
b. 170
|
composition: Op. 42, Waltz in A♭ major
..
On the 4th quaver GE1 has an erroneous g3. This typical Terzverschreibung of the engraver was already corrected in GE2 (→GE3). category imprint: Differences between sources issues: Errors in GE , Terzverschreibung error |
|||||||
|
b. 170
|
composition: Op. 38, Ballade in F major
..
We add a slur in the L.H. in bar 170. category imprint: Editorial revisions |
|||||||
|
b. 170
|
composition: Op. 38, Ballade in F major
..
EE overlooks the topmost component of the E-e octave in the L.H. category imprint: Differences between sources issues: Errors in EE |
