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b. 140
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composition: Op. 11, Concerto in E minor, Mvt III
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FE is missing a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions |
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b. 140
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composition: Op. 38, Ballade in F major
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Two staccato marks written in A seem to be dots despite being bigger than usual – possibly Chopin emboldened them to make them better visible. FE read them as wedges. category imprint: Graphic ambiguousness; Differences between sources issues: Wedges , Inaccuracies in A |
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b. 140
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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In the main text we give the sixth of FE, introduced by Chopin in the last stage of proofreading instead of a fourth, present in the remaining sources. One can see traces of a correction in the copies of FE. category imprint: Differences between sources; Corrections & alterations |
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b. 140
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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The version of AI is the initial one and was then changed, most probably at the time when the R.H. top voice was being added. category imprint: Differences between sources; Corrections & alterations issues: Main-line changes |
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b. 140
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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The missing pedalling markings in GE may be an inadvertence of Chopin or a mistake of the engraver – cf. the note to b. 137-138. Due to this reason, in the main text we give the pedalling markings of AF (→FE→EE), particularly since they are present in FE, in which Chopin proofread the accompaniment in this bar – see the note above. category imprint: Differences between sources |
before the 5th semiquaver. The patent inaccuracy was corrected in the remaining editions.
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