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b. 101-102

composition: Op. 38, Ballade in F major

 in EE

..

The lack of dynamic hairpins in GC (→GE) and FE ( ), and in EE () results from a misleading notation in A, where those signs can be mistaken for fragments of L.H. slurs.

category imprint: Differences between sources

issues: Inaccuracies in FE , EE inaccuracies , Inaccuracies in GC

b. 101

composition: Op. 38, Ballade in F major

..

In A (→GC,FE1FE2) there is no  lowering a to a in the L.H. The undoubted oversight by Chopin was corrected in EE, GE and FE3.

category imprint: Interpretations within context; Differences between sources

issues: Errors of A , FE revisions , Errors repeated in FE

b. 101

composition: Op. 26 No 2, Polonaise in E♭ minor

..

EE1 overlooked the slur in the R.H.

category imprint: Differences between sources

issues: EE revisions , EE inaccuracies

b. 101-102

composition: Op. 35, Sonata in B♭ minor, Mvt I

..

The E1-E octave in GC and FE is written in an abbreviated manner with the help of 8.

category imprint: Source & stylistic information

issues: Abbreviated octaves' notation

b. 101-104

composition: Op. 35, Sonata in B♭ minor, Mvt I

..

The pedalling of the last two chords of the exposition is marked in the sources inaccurately or erroneously. In FE there is no  sign in bar 101. In GC (→GE1) the change of pedal is written only at the transition between bars 103 and 104. FE and GE1 do not include any  sign in bar 104, whereas in GC and EE the asterisk is at the end of the 2nd volta, while in GE2 at the end of the first one.

category imprint: Differences between sources

issues: EE revisions , Inaccuracies in GE , Inaccuracies in FE , GE revisions , Errors of GC