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b. 1-3
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composition: Op. 10 No 5, Etude in G♭ major
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The brillante and legato indications added by Chopin in a proofreading of FE (→GE,EE) in bars 1 and 3 respectively are considered by us as the final decision of the composer, as far as the articulation and sound of the figurations in the R.H. are concerned. The change should undoubtedly be related to the dynamic markings added in FE: leggierissimo does not rather correspond to the category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 1-15
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composition: Op. 10 No 5, Etude in G♭ major
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All dynamic markings in bars 1-3, 5-6, 9-11 and 13-15 were added by Chopin in a proofreading of FE (→GE,EE). At the same time, it can be assumed that it was a change of the dynamic concept and not its clarification, which is proved by the parallel change of leggierissimo to brillante in bar 1 and reduction of the number of notes in the chords in bar 2 and analog. category imprint: Differences between sources; Corrections & alterations issues: No initial dynamic marking , Authentic corrections of FE |
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b. 1
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composition: Op. 10 No 5, Etude in G♭ major
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The indications of triplets are our addition. The digits, together with the slurs, were also added in the entire bar in GE4 (→GE5). category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 1-15
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composition: Op. 10 No 5, Etude in G♭ major
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The staccato dots in bars 1-3, 9-11 and 13-15, added in a proofreading of FE (→GE,EE), are an element of Chopin's comprehensive elaboration of the performance markings of the first section of the Etude. In A there are only four wedges at the beginning of bar 2 and analog. See also the remark concerning bars 5-6. category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 1-10
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composition: Op. 10 No 5, Etude in G♭ major
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In the main text for bars 1-2 and analog. we give the fingering written by Chopin in A (bars 1-2 and 5), as the lack of the 2nd digit in bar 2 in FE (→GE) must be the engraver's oversight. In EE Fontana completed Chopin's indications, adding digits next to each note in bars 1-2 and 9-10. According to us, the use of the 5th finger on the 8th semiquaver in bar 1 by Chopin suggests the 2nd finger for the next one and not the 1st one, as written by Fontana. category imprint: Differences between sources issues: EE revisions , Errors in FE |
dynamics.
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