



Issues : Errors of FC
b. 21
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composition: Op. 28 No. 17, Prelude in A♭ major
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In FC (→GE) the first c category imprint: Interpretations within context; Differences between sources issues: Errors of FC , Errors repeated in GE |
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b. 21
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composition: Op. 28 No. 17, Prelude in A♭ major
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The missing accent in FC (→GE) and EE are oversights of Fontana and of the engraver of EE. The mark having been moved to the side of noteheads in FE, i.e. in this case under the stave, is a frequent, routine revision; thus, the notation was left without a suggestion – certainly intended by Chopin – to accent the a1 note. category imprint: Differences between sources issues: Placement of markings , Errors in EE , FE revisions , Errors of FC |
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b. 22-23
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composition: Op. 28 No. 1, Prelude in C major
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The range of cresc. having been extended until the very end of b. 23 in FC (→GE) is a mistake of the copyist, who led the dashes marking its range to the end of the line, just like in A; however, he did not realize that the end of the line is placed differently in each of the manuscripts – in A in b. 21, whereas in FC – in b. 23. category imprint: Differences between sources issues: Errors of FC |
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b. 22-24
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composition: Op. 28 No. 24, Prelude in D minor
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The missing category imprint: Differences between sources issues: Errors of FC |
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b. 22-23
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composition: Op. 28 No. 16, Prelude in B♭ minor
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In FC (→GE) Fontana confused b. 22 with b. 23 and placed the category imprint: Differences between sources issues: Errors of FC |