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Issues : Authentic corrections of EE
b. 174
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composition: Op. 42, Waltz in A♭ major
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On the 2nd and 3rd crotchets in FE there is no c1. Chopin completed this deficiency in FEG (→GE). EE also features the correct version. category imprint: Differences between sources; Corrections & alterations issues: Errors in FE , Authentic corrections of GE , Authentic corrections of EE |
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b. 183
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The version with d1 (=e category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Omissions to cancel alteration , Errors in GE , GE revisions , Errors of GC , Authentic corrections of EE |
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b. 185-188
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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The slurring of particular sources seems to convey Chopin's idea only approximately. In the main text, we suggest an interpretation of the slurs of GC based on the slurs written in a more precise manner in analogous bars 57-60. See also bar 189. category imprint: Differences between sources issues: Errors in FE , GE revisions , Authentic corrections of FE , Inaccuracies in GC , Authentic corrections of EE |
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b. 185
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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FE1 (→FE2) features an E category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Authentic corrections of FE , Authentic corrections of EE |
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b. 199-200
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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It seems to be likely that no ties sustaining the g2-g3 octave in GC (→GE) and FE is only a result of Chopin's oversight in [A] – cf. the note to bar 197. The ties were probably added by Chopin in the base text to EE. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of EE |