Issues : Wedges
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b. 77
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composition: Op. 10 No 12, Etude in C minor
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In the main text we give the wedge, most probably omitted in FE (→GE) due to the engraver's oversight. It is unclear on which basis a dot was added here in EE. category imprint: Differences between sources issues: EE revisions , Errors in FE , Wedges |
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b. 79
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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The wedge written in A over the 1st quaver of the bar was replaced with a dot under the note in GE (→FE→EE). category imprint: Differences between sources issues: Inaccuracies in GE , Wedges |
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b. 82
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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We give the wedge written in A. In GE1 (→FE→EE) the sign was omitted and a dot was added in GE2 (→GE3). category imprint: Differences between sources issues: Errors in GE , GE revisions , Wedges |
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b. 83-84
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composition: Op. 10 No 12, Etude in C minor
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The difference between dots and wedges in A is very clear, yet it was not included in FE (→GE). Taking into account numerous inaccuracies of the notation of staccato marks in FE, we give preference to the detailed indications of A. In EE all dots were omitted. category imprint: Differences between sources issues: Inaccuracies in FE , Errors in EE , Authentic corrections of FE , Wedges |
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b. 90
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composition: Op. 24 No. 2, Mazurka in C major
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An evident wedge in A was reproduced in GE (→FE) as a dot (in GE, wedges were not used even once throughout the Mazurkas Op. 24). In EE, the sign was omitted. category imprint: Differences between sources issues: Inaccuracies in GE , Errors in EE , Wedges |
