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b. 3
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composition: Op. 28 No. 23, Prelude in F major
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The crossings-out and additions visible in A reveal that Chopin initially provided each of the half-bar figures – in the right and left hands – with a separate slur. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A |
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b. 3
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composition: Op. 28 No. 22, Prelude in G minor
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In A (→FE) there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors of A , Fontana's revisions , Errors repeated in FE |
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b. 3
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composition: Op. 28 No. 22, Prelude in G minor
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The missing ties of c1 and e category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 3
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composition: Op. 28 No. 22, Prelude in G minor
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The version of GE1 featuring a instead of tied c1 is a patent mistake of the engraver, one of a few in this place. category imprint: Differences between sources issues: Errors in GE , Terzverschreibung error , GE revisions |
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b. 3
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composition: Op. 28 No. 21, Prelude in B♭ major
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In A one can see a crossing-out between the category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A |
raising f1 to f
1. The manifest inadvertence was rectified in 
1 are one of a few mistakes of the engraver of 
before a that was removed (superfluous), yet it seems that, for some reason, Chopin also crossed out the correctly written f