



b. 3-7
|
composition: Op. 28 No. 23, Prelude in F major
..
The fingering of EE in b. 3 does not come from Chopin; however, as is the case with a few other places, it may comply with the composer's fingering. An identical fingering was given in an analogous figure in b. 7. category imprint: Differences between sources issues: EE revisions |
|||||
b. 3
|
composition: Op. 28 No. 23, Prelude in F major
..
The crossings-out and additions visible in A reveal that Chopin initially provided each of the half-bar figures – in the right and left hands – with a separate slur. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A |
|||||
b. 3
|
composition: Op. 28 No. 22, Prelude in G minor
..
In A (→FE) there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors of A , Fontana's revisions , Errors repeated in FE |
|||||
b. 3
|
composition: Op. 28 No. 22, Prelude in G minor
..
The missing ties of c1 and e category imprint: Differences between sources issues: Errors in GE , GE revisions |
|||||
b. 3
|
composition: Op. 28 No. 22, Prelude in G minor
..
The version of GE1 featuring a instead of tied c1 is a patent mistake of the engraver, one of a few in this place. category imprint: Differences between sources issues: Errors in GE , Terzverschreibung error , GE revisions |