Issues : Errors of JC
b. 66
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composition: WN 17, Polonaise in B♭ major
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In JC, the bass clef is not restored, which is a patent mistake. The same applies to bar 102. category imprint: Interpretations within context; Differences between sources issues: Errors of JC |
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b. 67
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composition: WN 17, Polonaise in B♭ major
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Compatible versions of EF and PE suggest an oversight of the slur in JC. However, it is possible that the slur appeared in [AI] later or it was Fontana who added it in his edition, knowing or guessing Chopin's intentions in relation to this detail. category imprint: Differences between sources issues: Errors of JC |
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b. 68
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composition: WN 17, Polonaise in B♭ major
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JC lacks all four dots extending the semiquavers on the 1st beat of the bar. It is a patent error. category imprint: Interpretations within context; Differences between sources issues: Errors of JC |
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b. 70
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composition: WN 17, Polonaise in B♭ major
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In JC, the last note in this bar is an e3. The mistake is revealed by the shape of the relevant fragment of figurations in the next bar, and first of all, by the compatible version of EF and PE. category imprint: Interpretations within context; Differences between sources issues: Errors of JC |
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b. 71
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composition: WN 17, Polonaise in B♭ major
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In EF first three groups of demisemiquavers are written with an octave sign. In JC the notes are written in the same way, yet the octave sign was omitted, which is a patent error. In this graphic layout the f2 note at the beginning of the 4th group requires the sign to be repeated, which actually is featured both in JC and EF. category imprint: Differences between sources; Source & stylistic information issues: Errors of JC |