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Issues : Authentic corrections of GE
b. 21
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composition: Op. 25 No 1, Etude in A♭ major
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Chopin changed the lowest note of the 3rd sextuplet in the R.H. twice:
category imprint: Differences between sources; Corrections & alterations |
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b. 21
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composition: Op. 25 No 1, Etude in A♭ major
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The third group of semiquavers in the L.H. was changed by Chopin twice (cf. the note concerning the R.H.), hence it appears in the sources in three various versions. In the main text we give the latest of them, introduced in FE and in a proofreading of GE1a (→GE2→GE3). category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Authentic corrections of GE |
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b. 21
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composition: Op. 21, Concerto in F minor, Mvt II
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In A there are no naturals raising d category imprint: Interpretations within context; Differences between sources issues: Omission of current key accidentals , Errors of A , Authentic corrections of GE |
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b. 22
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composition: Op. 10 No 1, Etude in C major
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CLI has b2 as the 4th semiquaver in the R.H., which results from the logic of the figuration's structure. In FE1 there is a d3, put here by mistake and corrected by Chopin in a proofreading of FE2 (→EE) for b2. The erroneous note must have initially been present also in GE1, which is confirmed by visible traces of its deletion, however, eventually GE1 and all subsequent editions of GE also feature b2.
category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Terzverschreibung error , GE revisions , Authentic corrections of FE , Authentic corrections of GE |
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b. 22
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composition: Op. 21, Concerto in F minor, Mvt II
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In A the naturals raising d category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , Inaccuracies in GE , Inaccuracies in FE , GE revisions , Omission of current key accidentals , Errors of A , Authentic corrections of GE |