Issues : Errors in GE

b. 4-5

composition: Op. 26 No 1, Polonaise in C♯ minor

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In GE1, the first time, the slur begins erroneously already from the quaver rest in bar 4. The defect was corrected in GE2. In turn, in GE3 (→GE4GE5), also the first time, its beginning was arbitrarily moved, placing it over the 1st note in bar 5.

category imprint: Differences between sources

issues: Errors in GE , GE revisions

b. 4

composition: Op. 21, Concerto in F minor, Mvt II

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GE1 (→FEEE) gives an erroneous Fl. next to the lowest voice. The mistake was noticed only in GE2.

category imprint: Differences between sources

issues: Errors in GE , GE revisions

b. 4

composition: Op. 21, Concerto in F minor, Mvt I

Dot and wedge in A

No marks in GE1 (→FEEE)

Dots in both hands in GE2

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Omission of both staccato signs is certainly a result of distraction of the engraver of GE1 (→FEEE). The omission of the wedge also changed the meaning of the curvy line combining both – the motivic slur transformed into a tie. It was observed only in GE2, yet, despite additions, the version of this edition only partially corresponds to Chopin's intention. 

category imprint: Differences between sources

issues: Errors in GE , GE revisions , Wedges

b. 5

composition: Op. 25 No 6, Etude in G♯ minor

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In FE (→GE1) the last two semiquavers in these bars were erroneously copied from the next group (the 3rd and 4th semiquaver in bar 6). The mistake was corrected in GE2 (→GE3).

category imprint: Differences between sources

issues: Errors in GE , GE revisions , Errors of FC

b. 5

composition: Op. 35, Sonata in B♭ minor, Mvt I

in GC & FE (→EE)

No marking in GE

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The absence of  in GE must be considered an oversight of the engraver – cf. bar 1 (in this context it is the lack of addition of the sign in GE2 that is surprising). 

category imprint: Differences between sources

issues: Errors in GE