Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Compositions
0
Op. 27 No 2, Nocturne in D♭ major
Page:
Source:
p. 5, b. 32-44
p. 1
p. 2
p. 3, b. 1-15
p. 4, b. 16-31
p. 5, b. 32-44
p. 6, b. 45-57
p. 7, b. 58-71
p. 8, b. 72-77
A - Autograph
Main text
A
- Autograph
GE
- German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE
- French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE
- English edition
EE1 - First English Edition
EE3 - Later impression of EE1
Select notes:
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A
- Autograph
GE
- German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE
- French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE
- English edition
EE1 - First English Edition
EE3 - Later impression of EE1
Importance
All
Important
Main
b. 44
The sources have extra naturals before a1 on the 4th quaver and a, the 10th semiquaver of the left hand. This is probably the result of the changes made in A.
Compare the passage in the sources »
category imprint: Editorial revisions; Source & stylistic information
issues: Cautionary accidentals
notation: Pitch