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Rhythm

b. 56-57

composition: Op. 2, Variations, complete

Demisemiquavers in AsI

Rhythms with rest in A (→GEFE,EE,FESB)

category imprint: Interpretations within context; Differences between sources; Corrections & alterations; Source & stylistic information

issues: Rhythmic errors , Main-line changes

b. 60

composition: Op. 2, Variations, complete

Semiquavers in AsI

Crotchet & demisemiquavers in A (→GEFE,EE,FESB)

category imprint: Interpretations within context; Differences between sources; Corrections & alterations

issues: Rhythmic errors , Main-line changes , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE

b. 61

composition: Op. 2, Variations, complete

8 semiquavers in AsI

9 semiquavers in A (→GEFE,EE,FESB)

category imprint: Differences between sources; Corrections & alterations

issues: Errors of A , Main-line changes

b. 62

composition: Op. 2, Variations, complete

Crotchets after minims in AsI & A (→GEFESB)

Crotchets and minims together in EE

Various rhythms in FE

..

As in the previous bars, the engraver (reviser?) of EE changed the arrangement of the L.H. notes, as a result of which it seems that the dotted a and b crotchets are to be played together with the f minims. The beginning of this bar is also one of the places in which this erroneous notation was also introduced by FE.

category imprint: Differences between sources

issues: EE revisions , Inaccuracies in FE

b. 62

composition: Op. 2, Variations, complete

Semiquavers in AsI, contextual interpretation

Crotchet & demisemiquavers in A (→GEFE,EE,FESB)

category imprint: Interpretations within context; Differences between sources; Corrections & alterations

issues: Cautionary accidentals , Omission of current key accidentals , Rhythmic errors