Rhythm
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b. 88-95
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composition: Op. 2, Variations, complete category imprint: Differences between sources issues: GE revisions |
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b. 89
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composition: Op. 2, Variations, complete
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As was the case with b. 69, in most sources (except FESB) the syncopated c2 crotchet is prolonged with two dots, which results in an excessive number of rhythmic values – 5 quavers in the bar. The mistake was noticed and corrected (graphically awkwardly) only in FESB. category imprint: Interpretations within context; Differences between sources issues: Rhythmic errors , Errors of A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 104-108
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composition: Op. 2, Variations, complete
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The notation of FE, with the demisemiquaver going beyond the 3rd note of the semiquaver triplet (in b. 104 and 106-108), is contrary to the Chopinesque understanding of this kind of combination of a dotted rhythm with a triplet – see the note on b. 45-46. category imprint: Differences between sources issues: Dotted rhythms and triplets , FE revisions |
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b. 110-122
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composition: Op. 2, Variations, complete
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The notation of FE, with the demisemiquaver going beyond the 3rd note of the semiquaver triplet (in b. 110, 120 and 122), is contrary to the Chopinesque understanding of this kind of combination of a dotted rhythm with a triplet – see the note on b. 45-46. category imprint: Differences between sources issues: Dotted rhythms and triplets , FE revisions |
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b. 114
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composition: Op. 2, Variations, complete
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In FE1, there are 3 crotchets in the bottom voice, which is a mistake (we reproduce them in our system in the "transcript" version only), which was corrected in FE2 by adding a quaver beam combining all 3 notes. We give this version, probably the latest authentic one, in the main text. See also the note at the end of the bar. category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Authentic corrections of FE |
