



Pitch
b. 36
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composition: Op. 2, Variations, complete
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In the 2nd half of the bar, which in our transcriptions falls between the lines, we repeat the accidentals, unnecessary in undivided bars and therefore absent in the sources. This procedure does not influence the interpretation of the text; we reproduce the literal notation of the sources in the graphic transcription. category imprint: Editorial revisions |
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b. 37-38
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composition: Op. 2, Variations, complete
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The AsI version corresponds closely to the orchestra part. In the version prepared for printing, Chopin moved these bars an octave lower, presumably to preserve the ascending sequence of these orchestral interludes. While proofreading FE1 this fragment was modified once again by removing the octave doublings of two bass notes, D category imprint: Differences between sources; Corrections & alterations |
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b. 37
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composition: Op. 2, Variations, complete
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In the main text we add a cautionary category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 37
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composition: Op. 2, Variations, complete
category imprint: Differences between sources issues: Terzverschreibung error , Partial corrections , Errors in FESB |
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b. 39-40
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composition: Op. 2, Variations, complete
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As in b. 35-36, in A Chopin overlooked some necessary accidentals, mainly in b. 40 – a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Accidentals in different octaves , GE revisions , FE revisions , Inaccuracies in A |