Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 2, Variations, complete
As in b. 35-36, in A Chopin overlooked some necessary accidentals, mainly in b. 40 – a 
to d
2 and a 
to e2 in the R.H. and a to e1 and a to d2 in the L.H. (the use of accidentals in b. 39 is not fully codified due to the octave sign, as a result of which the to e3 and the to d2 could be considered superfluous). All necessary accidentals – subject to the situation described in the brackets above – were already added in GE1 (→FE1,EE,GE2→GE3). In EE a to d2 before the 6th semiquaver in b. 39 was also added.
FESB repeated the accidentals of GE1; however, it was a instead of a that was placed to the 6th semiquaver in b. 39, which resulted in an erroneous e1 note; moreover, a to d2 was added before the 8th semiquaver in this bar, which does not make sense – the accidental, if necessary at all, should be before the 6th semiquaver.
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources
issues: EE revisions, Errors in FE, Accidentals in different octaves, GE revisions, FE revisions, Inaccuracies in A
notation: Pitch
