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b. 157
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composition: Op. 2, Variations, complete
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In this and the next two bars AsI contains an earlier version of the alternative L.H. part. category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes |
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b. 158
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composition: Op. 2, Variations, complete
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The version of AsI with two identical chords on the 2nd and 3rd quavers in the bar must be earlier. In the main text we give a chord without e1 written in A (→GE→FE,EE,FESB) as the 3rd quaver of the alternative L.H. part. category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes |
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b. 158
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composition: Op. 2, Variations, complete
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The AsI arpeggio may be considered an equal variant – it cannot be ruled out that Chopin did not write it in A, since he considered arpeggios on tenth chords to be natural and did not care for marking them. Of course, a differentiated performance of such chords, strictly according to the notation, is to be regarded as the principal option. category imprint: Differences between sources |
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b. 159
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composition: Op. 2, Variations, complete
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The version of AsI, closer to the rhythm of the previous bars, must be earlier. In the main text we adhere to the improved version of the remaining sources. In the main text we correct the mistake (probably by Chopin) in the notation of the arpeggio, since it is unlikely that a wavy line in this position could have a different meaning. category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Accompaniment changes |
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b. 159
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composition: Op. 2, Variations, complete
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In the main text we add a cautionary category imprint: Editorial revisions; Source & stylistic information issues: Cautionary accidentals |
to e
in the chord in the alternative L.H. part. Chopin used it in this context in