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b. 150
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composition: Op. 2, Variations, complete
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In the main text we omit the unjustified category imprint: Differences between sources; Editorial revisions issues: Last key signature sign |
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b. 154-155
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composition: Op. 2, Variations, complete
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In the main text we keep the different staccato markings visible in A – wedges at the beginning of the bar and dots over the chords. In the editions, as in many other places – see, e.g. variation IV or the finale – all markings were reproduced as wedges (however, in b. 153 the dots under the slur remained dots). category imprint: Differences between sources issues: GE revisions , Wedges |
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b. 154
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composition: Op. 2, Variations, complete
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In A (→GE1→GE2,FE,EE) Chopin overlooked the category imprint: Interpretations within context; Differences between sources issues: GE revisions , Omission of current key accidentals , Errors of A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 156-163
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composition: Op. 2, Variations, complete
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AsI does not contain any performance markings in these bars, on which we do not comment further on. category imprint: Differences between sources |
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b. 156-163
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composition: Op. 2, Variations, complete
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In AsI the L.H. part is marked in an abridged manner with the word unisono, written in every bar. The alternative L.H. part is written on the same stave, which we change for better legibility of the transcription: we separate the parts by placing the alternative one on an additional stave, as was performed by the other sources. category imprint: Differences between sources issues: Abbreviated notation of A |
(cautionary?) to a1 present in 
1 to e1 in the alternative accompaniment chord, despite it being present in