|
b. 140-147
|
composition: Op. 2, Variations, complete
..
AsI does not contain any performance markings, on which we do not comment further on. category imprint: Differences between sources |
|||||
|
b. 140-143
|
composition: Op. 2, Variations, complete
..
In AsI the L.H. part is marked in an abridged manner with the word unisono, written in every bar. The alternative L.H. part is written on the same stave, which we change for better legibility of the transcription: we separate the parts by placing the alternative one on an additional stave, as was performed by the other sources. category imprint: Differences between sources; Editorial revisions issues: Abbreviated notation of A |
|||||
|
b. 141-146
|
composition: Op. 2, Variations, complete
..
As was the case 4 or 8 bars earlier, in AsI there are no accidentals restoring c2 and b category imprint: Interpretations within context; Differences between sources; Corrections & alterations; Source & stylistic information issues: Omissions to cancel alteration , Omission of current key accidentals |
|||||
|
b. 142
|
composition: Op. 2, Variations, complete
..
In A the last fingering digit in the 1st half of the bar concerning the R.H. (over f2) is 3, whereas GE1 printed there a 2 (by mistake). The mistake was corrected in all editions based on GE1 – in GE2 (→GE3) and FE the digit 3 was restored, while in EE the erroneous digit was removed. category imprint: Differences between sources issues: EE revisions , Errors in GE , GE revisions , Authentic corrections of FE |
|||||
|
b. 144
|
composition: Op. 2, Variations, complete
..
As in b. 136, in the main text we give a sixth, which Chopin introduced instead of a three-note chord while proofreading FE. category imprint: Differences between sources; Corrections & alterations |
1 at the end of b. 141 and c1 and b
