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b. 119

composition: Op. 2, Variations, complete

..

In the main text we add a cautionary  to e3 and a  to a3. A natural was also added in GE3, while a  is present in AsI. In addition, in AsI, a  was repeated before the penultimate semiquaver.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions , Cautionary accidentals

b. 120-121

composition: Op. 2, Variations, complete

..

As before (b. 105 and 109 and 108), in the main text we add a cautionary  to e2 in b. 120 and a  to f3 in b. 121. Both accidentals were added in GE3 and the former – also in EE3.

category imprint: Editorial revisions

issues: GE revisions

b. 123-126

composition: Op. 2, Variations, complete

Notation in AsI & A (→GEEE,FESB)

Notation in FE

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The notation of FE, with the demisemiquaver going beyond the 3rd note of the semiquaver triplet (in b. 123, 124 and 126), is contrary to the Chopinesque understanding of this kind of combination of a dotted rhythm with a triplet – see the note to b. 45-46.

category imprint: Differences between sources

issues: Dotted rhythms and triplets , FE revisions

b. 123-135

composition: Op. 2, Variations, complete

..

No performance markings in Var. I in AsI – see the note at the beginning thereof (b. 104-109).

category imprint: Differences between sources

b. 125-127

composition: Op. 2, Variations, complete

..

In AsI the following quavers: g3 in b. 125, c4 and e4 in b. 126 and b2e2 and d2 in the 1st volta of b. 127 are written as crotchets – they lack quaver flags. The first two of those mistakes (next to g3 and c4) were repeated in A. The editions contain the right text. 

category imprint: Interpretations within context; Differences between sources; Corrections & alterations; Source & stylistic information

issues: GE revisions , Rhythmic errors , Errors of A