



Shorthand & other
b. 34-38
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composition: Op. 63 No. 3, Mazurka in C# minor
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In GE the notation of the rhythm in bars 34 and 38 was clarified by adding rests under the e category imprint: Differences between sources issues: EE revisions , GE revisions |
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b. 42
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composition: Op. 63 No. 3, Mazurka in C# minor
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The rest added in GE ensures the formal correctness of the rhythmic notation on the top stave, on which the sources, in addition to the R.H. part, also wrote down the L.H. crotchets on the 2nd and 3rd beats of the bar. Chopin, however, generally avoided writing rests that are not necessary for an unequivocal reading of the text. category imprint: Differences between sources issues: GE revisions |
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b. 49
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composition: Op. 63 No. 3, Mazurka in C# minor
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In EEW the bottom notes of the L.H. chords (a) were separated from the remaining ones, written down on the top stave, which thus seem to belong to the R.H. part. Perhaps it contributed to the omission of the category imprint: Differences between sources issues: EE revisions |
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b. 66
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composition: Op. 63 No. 3, Mazurka in C# minor
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In GE a crotchet rest was added, filling the 1st beat of the bar in the bottom R.H. voice. Filling the entire bar with rhythmic values of all the written-down voices, advisable in preparing ensemble music scores, is not a priority in the case of piano music performed by one person, hence Chopin would very often omit such filling rests. Due to the above, in the main text we keep the original version of FE (→EEW). category imprint: Differences between sources issues: GE revisions |
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b. 67-70
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composition: Op. 63 No. 3, Mazurka in C# minor
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The sustention of the g category imprint: Differences between sources; Editorial revisions issues: EE revisions |