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Op. 23, Ballade in G minor

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b. 194-195

composition: Op. 23, Ballade in G minor

Slur to a1 in A & EE

No slur in FE

Slur to g1 in GE
..

The analysis of the corrections of slurs in similar motifs that are visible in A – in b. 8-19, 100-101 and perhaps 198-199, one can see that the slurs were being prolonged so that they reached the minim ending the motif – leads to the conclusion that the slur in the discussed bars is the initial version of slurring of this figure, left by inadvertence. Therefore, in the main text we give a longer slur, compliant with the final slurring concept.
The absence of the slur in FE must be an oversight by the engraver, which was amended – most probably on the basis of a comparison with analogous figures – both by GE and EE. The reviser of GE probably took into account previous similar places too, whereas his English colleague looked only at the nearest figure, in b. 196.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , GE revisions , Omitted correction of an analogous place

b. 195

composition: Op. 23, Ballade in G minor

Slur & dots in A & EE

No markings in FE (→GE)
..

The missing slur and dots in FE (→GE) must be an oversight by the engraver; he also overlooked a slur in the previous bar. The markings were added by EE.

category imprint: Differences between sources

issues: EE revisions , Errors in FE

b. 195-205

composition: Op. 23, Ballade in G minor

No L.H. slurs in A (→FE→GE,EE1→EE2)

L.H. slurs in EE3
..

In the main text we add slurs to the staccato dots with which the pairs of L.H. crotchets are marked in these bars (Chopin wrote such slurs only in the 2nd halves of b. 196, 198 and 200). We provide an extensive justification of this decision in the note concerning b. 9-21. As was the case there, slurs were added here also by EE3 (except for the 2nd half of b. 199).
Isolated cases of adding slurs, probably resulting from the engravers' mistakes, are visible in GE1a in the 2nd half of b. 195, in GE (including in GE1a) in the 2nd half of b. 201 and in FE and all the remaining editions in b. 202. 

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , Errors in GE , GE revisions , Authentic corrections of FE , FE revisions

b. 195-197

composition: Op. 23, Ballade in G minor

..

In A one can see deleted slurs over the pairs of D crotchets in the 1st halves of b. 195 and 197. According to us, it does not mean that the articulation of those crotchets is to be different from the preceding similar pairs in b. 194 and 196. The removal of the slurs was aimed at maintaining a consistent notation of the entire section (b. 194-205), compliant with the notation applied in b. 9-21, in which the L.H. part slurs are put only where the accompanying pairs of crotchets, provided with slurs, are absent in the R.H.

category imprint: Corrections & alterations; Source & stylistic information

issues: Deletions in A

b. 195-200

composition: Op. 23, Ballade in G minor

No L.H. slurs in A (→FE→GE)

Slurs in EE
..

The slurs added by EE (in the L.H. part) over the d1-c1 motifs in b. 195-196 and the d1-e1 motifs in b. 199-200 were arbitrarily added during the revision of EE, what is more, inconsistently – slurs were not added in b. 201-205.

category imprint: Differences between sources

issues: EE revisions