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Issues : Long accents
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b. 118-120
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composition: Op. 23, Ballade in G minor
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The long accents in A of the Ballade are not always written down in a clear manner. In the case of the marks in b. 118 and 120, the musical context, however, clearly supports such an interpretation of both marks. However, it is difficult to consider the interpretation of FE (→GE,EE) faulty, particularly since the mark representing a long accent did not belong to the standard set of marks back then. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , Inaccuracies in A |
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b. 124
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composition: Op. 23, Ballade in G minor
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Due to the high position of the chord, the clear long accent over the L.H. chord is partially on the top stave in A, as a result of which FE (→GE,EE) linked it to the R.H. part. Consequently, the mark was also moved horizontally, hence in FE it looks like a long accent under the d category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , Inaccuracies in GE , Inaccuracies in FE , Inaccuracies in A |
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b. 155
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composition: Op. 23, Ballade in G minor
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The typical long accent over the L.H. chord was reproduced by FE (→EE) as a short category imprint: Differences between sources issues: Long accents , Inaccuracies in GE , Inaccuracies in FE |
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b. 166-167
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composition: Op. 23, Ballade in G minor
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We consider both accents of A, although differing in shape, to be long accents due to their size (cf., e.g. the clearly smaller mark in b. 173). FE reproduced the accents as short (GE and EE did it in an even more pronounced manner). category imprint: Differences between sources issues: Long accents , Inaccuracies in FE |
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b. 177-178
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composition: Op. 23, Ballade in G minor
category imprint: Differences between sources issues: Long accents , Inaccuracies in FE |
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