



Due to the high position of the chord, the clear long accent over the L.H. chord is partially on the top stave in A, as a result of which FE (→GE,EE) linked it to the R.H. part. Consequently, the mark was also moved horizontally, hence in FE it looks like a long accent under the d3 quaver. This is how it was understood in GE, in which, however, it was reduced to the size of a common short accent. EE considered the mark a short diminuendo and slightly shifted it to the left.
Compare the passage in the sources »
category imprint: Graphic ambiguousness; Differences between sources
issues: Long accents, Inaccuracies in GE, Inaccuracies in FE, Inaccuracies in A
notation: Articulation, Accents, Hairpins