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b. 106
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composition: Op. 23, Ballade in G minor
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We add a cautionary category imprint: Editorial revisions |
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b. 106-107
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composition: Op. 23, Ballade in G minor
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The change of slurring in these and the next bars must be coming from Chopin. According to us, the aim was to replace the shorter slurs of A with longer ones, which, however, was marked or implemented inaccurately in the discussed bars, hence the second of the original slurs (supposed to be removed) was left untouched. A similar phenomenon is to be found in, e.g. the Concerto in E minor, Op. 11, III mov., b. 179-181. In Chopin's autographs, one can find numerous examples for prolonging or combining initially written shorter slurs, e.g. in b. 112-114 of the Ballade, in the Mazurka in A category imprint: Differences between sources; Editorial revisions |
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b. 106-109
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composition: Op. 23, Ballade in G minor
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In A, 8 accidentals are missing: naturals to e in b. 106, e1 in b. 106, 107 and 109, b and b2 in b. 108 and sharps to c category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , FE revisions , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 107
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composition: Op. 23, Ballade in G minor
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As in the previous phrase, Chopin replaced the initial short slurs of A with one longer slur while proofreading FE (→GE,EE). category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 110-111
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composition: Op. 23, Ballade in G minor
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The fact that the top note of the 5th L.H. crotchet is to be held must be a Chopinesque addition introduced in the stage of proofreading FE (→GE,EE) into both these bars. category imprint: Differences between sources issues: Authentic corrections of FE |