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b. 54
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composition: Op. 23, Ballade in G minor
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The deletion visible in A allows us to decipher the initial version of this crotchet, i.e. probably C-G. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Accompaniment changes |
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b. 54-55
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composition: Op. 23, Ballade in G minor
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In A, the 2nd group of quavers in b. 54 and both in b. 55 are marked in an abridged manner as a repetition of the 1st group in b. 54. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 55
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composition: Op. 23, Ballade in G minor
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In FE, both C crotchets are misplaced, i.e. under the last quaver in a respective half of the bar. GE and EE did not repeat this mistake. category imprint: Interpretations within context; Differences between sources issues: Errors in FE |
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b. 56-60
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composition: Op. 23, Ballade in G minor
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In b. 56 in A, one can see a deleted d2 quaver, written initially at the end of the 1st half of the bar, perhaps by mistake – cf. b. 58. However, an identical correction 4 bars later, in b. 60, suggests another possibility – d2 could have been an element of the initial version of these passages. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A |
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b. 56
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composition: Op. 23, Ballade in G minor
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When interpreted literally, the slur from the previous bars reaches the 4th or the 5th quaver, crossing a new slur on its way, encompassing b. 56-57. According to us, this notation may have at least 3 interpretations:
category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in FE , Inaccurate slurs in A , Inaccuracies in A |