In the main text we include the tenuto marks under the c1 minims in b. 194, 196 and 198, entered probably by Chopin. They are most probably an attenuated version of long accents – cf. b. 8, 10 and analog. Similar dashes are to be found in a copy of the same pupil in the Concerto in E minor, Op. 11, II mov., b. 47 as well.
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category imprint: Differences between sources
issues: Annotations in teaching copies, Annotations in FED
notation: Articulation, Accents, Hairpins
