



b. 80
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composition: Op. 23, Ballade in G minor
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The missing staccato dot under the C crotchet is most probably an oversight by the engraver of FE (→GE,EE). category imprint: Differences between sources issues: Errors in FE |
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b. 80
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composition: Op. 23, Ballade in G minor
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According to us, the slur of A should be interpreted as running from the 2nd note in the bar – cf. similar situations in b. 32-33 or 68. The version of the editions is possible yet less likely – it does not include the shape of that slur, which does not suggest a relation to the bass C. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A |
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b. 80
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composition: Op. 23, Ballade in G minor
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The position of the first category imprint: Editorial revisions |
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b. 81
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composition: Op. 23, Ballade in G minor
..
The R.H. slur beginning in this bar is inaccurately written down in A. The interpretation adopted by FE (→GE,EE) may be regarded as graphically correct; however, according to us, the notation of A does not suggest that the slurs should coincide; on the contrary, they should be separated – the slurs in this bar both begin and end before the respective note of the motif (the beginning – "encompassing", the ending – "pointing"). It is also the musical sense that is an unequivocal argument for the slur starting from the repeated, accentuated g2 crotchet. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A |
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b. 82
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composition: Op. 23, Ballade in G minor
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The version of FE is an oversight by the engraver – the category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions |